Photography supplies for developing film.

How to Develop Black and White Film at Home

A beginners guide to developing Black and White Film

How to Load 35mm Film into a Paterson or Stainless Steel Tank

1. Develop — Black-and-white film developer. Converts exposed silver halide into the visible negative image. Choose one liquid developer and follow its film-specific time, temperature, dilution, and agitation chart. D-76 is the most commonly used film developer.

2. Stop — Citric/acetic stop bath or manufacturer-approved water rinse. Stops or slows development and reduces developer carryover. An indicator stop bath makes exhaustion easier to see, but use only as directed. Personally, I have only used water throughout my career. Just one quick rinse and add the Fixer.

3. Fix — Rapid fixer. Makes the image light-safe by removing undeveloped silver halide. Confirm fixing time and capacity; exhausted fixer causes permanence problems. Note: Fixer is reusable, but you need to use hypo check to see if it is exhausted. Add a drop to the fixer, if it stays clear it is good, if it turns milky it is exhausted.

4. Wash — Running water or a validated fill-and-invert sequence. Removes residual processing chemicals. Keep wash temperature reasonably close to processing solutions. This can be hard to find. Essentially, the water inlet is at the bottom, and exits the top. Here is a link I found.

5. Wash Aid — Wash aid / hypo-clearing agent. Can shorten or improve washing in specified workflows. Useful for archival workflows; not a substitute for correct fixing and washing.

6. Final rinse — Wetting agent. Before the wetting agent wash your film another 5 minutes. Promotes even drainage and reduces drying marks. Mix accurately; too much can create foam and residue. Take the film off the reel and run two finger carefully down the film to remove excess water for drying. Store in a dust free environment with two wooden close pins.

Film developer and paper developer are not interchangeable unless the manufacturer specifically supplies instructions for both. A fixer concentrate may serve both processes, but prepare and label separate working solutions for film and paper.

1. Load Film

In complete darkness load film onto reel, and place in to daylight tank. Paterson and Stainless Steel are the most common. Place lid on tank before exposing it to light.





2. Pre-soak Film

Fill tank with as close to 68 degree water as possible. Place lid on tank and invert a few tie and tap on a hard surface to remove air bubbles.







3. Developer

Mix developer according to manufactures instructs or my poster or cheat sheet. You want the temperature at 68 degrees. Pour out pre-soak, and add the developer. Make sure to hold the tank at an angle to help reduce air bubbles. Start timer and agitate tank. Watch the end of how to load 35mm film video, or animated video above. Agitate the tank every 30seconds to 1 minute.

4. Stop Bath

Pour out the developer, and fill the tank with water or stop bath for 30 seconds. I personally just use water. Agitate and pour out.






5. Rapid Fixer

Fill tank with rapid fixer and agitate as before. Fix film for 5 minutes and agitate the tank every minute. Fixer is reusable so you can pour this back into the bottle.




6. Wash

Remove Rapid Fixer(IT IS REUSABLE) so put it back in the bottle. Place film in washing cylinder as seen above or use film developing tank. Wash for 10 minutes in running water. Add reels back into the development tanks and fill tank with hypo-clear, agitate for 2 minutes. Wash in film washing cylinder for 5-10 minutes. Hang to dry.

Follow the film processing sequence

Load in complete darkness → develop(D-76) → stop(Water) → fix(Kodak Rapid Fix) → wash(Water) → wash(hypo-clear) → wetting-agent rinse(Wetting Agent) → dry(Take the film out of the roll, and hang straight. Add a close pin on the bottom so it will not curl.

Fix for the manufacturer’s specified time and dilution; first clearing is not the endpoint. After the tank is light-tight, follow its instructions for daylight processing.

The developer controls much of the negative’s density, contrast, grain, and effective speed. The fixer makes the film safe to view in room light. Never improvise development times: consult the current film/developer chart, and keep written notes for every roll.

Film Development Poster

Free 11X17 .pdf download of my Film Development Cheat Sheet for Kodak, Ilford and Fuji films.
Pushing and pulling black-and-white film involves adjusting exposure and development together.
Pushing means exposing film at a higher ISO setting than its rated speed, then extending development to help compensate. For example, exposing ISO 100 film at ISO 200 underexposes it by one stop and calls for a one-stop push during development.
Pulling is the opposite: exposing film at a lower ISO setting—for example, ISO 100 film at ISO 50—and reducing development time. One-stop push and pull times are listed to the right. Personally, I rarely pull film, but I do push it.
Adding 20% to the normal development time is a starting estimate for a one-stop push, not a universal rule. The appropriate adjustment depends on the film, developer, dilution, and temperature, so use the manufacturer’s recommended push-processing time when available.
For example, if the normal development time is 10 minutes, a 20% increase adds 2 minutes, giving a total of 12 minutes. Extended development increases contrast, but it cannot fully recover shadow detail lost through underexposure.

Shutter Bug Film-Development times poster

Barry Thornton’s Exactol Lux

I Love this developer with T-Max Films especially with 120. This holds beautiful highlight detail.

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